ORCID ID
Guest-Editor
2021 Guest-editor for the issue #69 of the bulletin at the Women’s Art Register. on notions of the commons and art.
Catalogue Essay
2024 “Stamping, Smuggling”, catalogue essay for Hannan Jones’ exhibition Foresight & Fiction at Goolagutup Heathcote, (Boorloo/Perth) Western Australia
2021
“In the polarised enchantment of borders and images”, Catalogue essay for The
image is not nothing (Concrete Archives) curated by Lisa Radford and Yhonnie
Scarce at Ace Open, Kaurna Yarta, Adelaide, South Australia.
https://www.ace.gallery/whats-on/exhibitions/the-image-is-not-nothing-concrete-archives
Journal Articles
2019 “Coinage”. Art + Australia. 2019. Issue Six (56.1): Outside, issue edited by Dr. Edward
Colless pp.127-133. https://artandaustralia.com/
2019 “Rematerialization, Art, and Affective Economies”. Kohl: A Journal for Body and
Gender Research Vol. 5 No. 2, 2019. https://kohljournal.press/rematerialization
Book Chapters
2022 “The Migrant Material”, chapter in Care Ethics and Art anthology, book edited by Dr.
Jacqueline Millner and Gretchen Coombs, Routledge. https://www.routledge.com/Care-Ethics-and-Art/Millner-Coombs/p/book/9780367765651
2017
“Towards a paradigm shift”, in Trans Acciones Utopicas Section, in the
book Economias Subversivas by NUVEM, Brazil, translated by CRA staff from English.
http://www.centroruraldearte.org.ar/site.new/wp-content/uploads/2017/10/LivroES-WEB.pdf
Review Articles and other writings
2022 “The measure of invisible work”, Green Agenda, The ends of work, edited by Carlos
Morreo. https://greenagenda.org.au/2022/10/invisible-work/
2022 “W.A.R., Multiple processes to unpack the contemporary value of a grassroots feminist archive” ARI REMIX,The EXTRA Zine Project feat, https://remix.org.au/representing-2022-multiple-processes-to-unpack-the-contemporary-value-of-a-grassroots-feminist-archive-azza-zein-on-behalf-of-the-womens-art-register-naarm-melbourne/
2021 “Dmploying studio practices,” a review of Nina Sanadze’s living room Series, in
W.A.R. Bulletin on invisible labour, #68, guest edited by Claudia Phares.
2020 “Tongue in crisis”, a review of Youjia Lu’s Super(im)position, Enduring (non-place),
un Extended. https://unprojects.org.au/article/tongue-in-crisis/
2020 “There will be extra-time”, text accompanying Sarah Rudledge’s Kicking the Bucket,
Blindside, Melbourne https://blindside.org.au/publication/there-will-be-extra-time
2020
Commissioned writings and artworks Kings Artist-Run, Live Update from the Field,
curated by
Katie Ryan and Jeremy Eaton, Melbourne. https://www.kingsartistrun.org.au/live-from-the-field-part-2/
Book (in Arabic)
2012 Conjugated Thoughts Between The I And The We, Drawing and Writing in Arabic, Book, Dar Al Mada Publishing, Beirut. isbn9782843061387